Alfred, Lord Tennyson
Ode On The Death Of The Duke Of Wellington
1852
I.
Bury the Great Duke
With an empire’s lamentation;
Let us bury the Great Duke
To the noise of the mourning of a mighty nation;
Mourning when their leaders fall,
Warriors carry the warrior’s pall,
And sorrow darkens hamlet and hall.
II.
Where shall we lay the man whom we deplore?
Here, in streaming London’s central roar.
Let the sound of those he wrought for,
And the feet of those he fought for,
Echo round his bones for evermore.
III.
Lead out the
Ode Sung At The Opening Of The International Exhibition
I
Uplift a thousand voices full and sweet,
In this wide hall with earth’s invention stored,
And praise the invisible universal Lord,
Who lets once more in peace the nations meet,
Where Science, Art, and Labor have outpour’d
Their myriad horns of plenty at our feet.
II
O silent father of our Kings to be,
Mourn’d in this golden hour of jubilee,
For this, for all, we weep our thanks to thee!
III
The world-compelling plan was thine,–
And, lo! the long
Ode To Memory
I.
Thou who stealest fire,
From the fountains of the past,
To glorify the present, O, haste,
Visit my low desire!
Strengthen me, enlighten me!
I faint in this obscurity,
Thou dewy dawn of memory.
II.
Come not as thou camest of late,
Flinging the gloom of yesternight
On the white day, but robed in soften’d light
Of orient state.
Whilome thou camest with the morning mist,
Even as a maid, whose stately brow
The dew-impearled winds of dawn have kiss’d,
When she, as thou,
Stays
Oenone
There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro’ the clov’n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning:
Of Old Sat Freedom
Of old sat Freedom on the heights,
The thunders breaking at her feet:
Above her shook the starry lights:
She heard the torrents meet.
There in her place she did rejoice,
Self-gather’d in her prophet-mind,
But fragments of her mighty voice
Came rolling on the wind.
Then stept she down thro’ town and field
To mingle with the human race,
And part by part to men reveal’d
The fullness of her face —
Grave mother of majestic works,
From her isle-alter gazing
On A Mourner
I.
Nature, so far as in her lies,
Imitates God, and turns her face
To every land beneath the skies,
Counts nothing that she meets with base,
But lives and loves in every place;
II.
Fills out the homely quickset-screens,
And makes the purple lilac ripe,
Steps from her airy hill, and greens
The swamp, where humm’d the dropping snipe,
With moss and braided marish-pipe;
III.
And on thy heart a finger lays,
Saying, ‘Beat quicker, for the time
Is pleasant, and the
On One Who Affected An Effeminate Manner
While man and woman still are incomplete,
I prize that soul where man and woman meet,
Which types all Nature’s male and female plan,
But, friend, man-woman is not woman-man.
-On One Who Affected An Effeminate Manner by Alfred, Lord Tennyson
On The Jubilee Of Queen Victoria
I.
Fifty times the rose has flower’d and faded,
Fifty times the golden harvest fallen,
Since our Queen assumed the globe, the sceptre.
II.
She beloved for a kindliness
Rare in fable or history,
Queen, and Empress of India,
Crown’d so long with a diadem
Never worn by a worthier,
Now with prosperous auguries
Comes at last to the bounteous
Crowning year of her Jubilee.
III.
Nothing of the lawless, of the despot,
Nothing of the vulgar, or vainglorious,
All is gracious, gentle,
Opening Of The Indian And Colonial Exhibition By The Queen
Written at the request of the Prince Of Wales
I.
Welcome, welcome with one voice!
In your welfare we rejoice,
Sons and brothers that have sent,
From isle and cape and continent,
Produce of your field and flood,
Mount and mine, and primal wood;
Works of subtle brain and hand,
And splendors of the morning land,
Gifts from every British zone;
Britons, hold your own!
II.
May we find, as ages run,
The mother featured in the son:
And may yours for ever be
That
Parnassus
I.
What be those crown’d forms high over the sacred fountain?
Bards, that the mighty Muses have raised to the heights of the mountain,
And over the flight of the Ages! O Goddesses, help me up thither!
Lightning may shrivel the laurel of Cæsar, but mine would not wither.
Steep is the mountain, but you, you will help me to overcome it,
And stand with my head in the zenith, and roll my voice from
Pelleas And Ettarre
King Arthur made new knights to fill the gap
Left by the Holy Quest; and as he sat
In hall at old Caerleon, the high doors
Were softly sundered, and through these a youth,
Pelleas, and the sweet smell of the fields
Past, and the sunshine came along with him.
`Make me thy knight, because I know, Sir King,
All that belongs to knighthood, and I love.’
Such was his cry: for having heard the King
Had let
Poets And Critics
This thing, that thing is the rage,
Helter-skelter runs the age;
Minds on this round earth of ours
Vary like the leaves and flowers,
Fashion’d after certain laws;
Sing thou low or loud or sweet,
All at all points thou canst not meet,
Some will pass and some will pause.
What is true at last will tell:
Few at first will place thee well;
Some too low would have thee shine,
Some too high-no fault of thine
Hold thine own, and
Poets And Their Bibliographies
Old poets foster’d under friendlier skies,
Old Virgil who would write ten lines, they say,
At dawn, and lavish all the golden day
To make them wealthier in his readers’ eyes;
And you, old popular Horace, you the wise
Adviser of the nine-years-ponder’d lay,
And you, that wear a wreath of sweeter bay,
Catullus, whose dead songster never dies;
If, glancing downward on the kindly sphere
That once had roll’d you round and round the sun,
You see your
Politics
We move, the wheel must always move,
Nor always on the plain,
And if we move to such a goal
As Wisdom hopes to gain,
Then you that drive, and know your craft,
Will firmly hold the rein,
Nor lend an ear to random cries,
Or you may drive in vain;
For some cry ‘Quick’ and some cry ‘Slow,’
But, while the hills remain,
Up hill ‘Too-slow’ will need the whip,
Down hill ‘Too-quick’ the chain.
Prefatory Poem To My Brother’s Sonnets
Midnight June 30 1879
I.
Midnight–in no midsummer tune
The breakers lash the shores:
The cuckoo of a joyless June
Is calling out of doors:
And thou hast vanish’d from thine own
To that which looks like rest,
True brother, only to be known
By those who love thee best.
II.
Midnight–and joyless June gone by,
And from the deluged park
The cuckoo of a worse July
Is calling thro’ the dark:
But thou art silent underground,
And o’er thee streams the rain,
True poet, surely
Prefatory Sonnet
Those that of late had fleeted far and fast
To touch all shores, now leaving to the skill
Of others their old craft seaworthy still,
Have charter’d this; where, mindful of the past,
Our true co-mates regather round the mast;
Of diverse tongue, but with a common will
Here, in this roaring moon of daffodil
And crocus, to put forth and brave the blast;
For some, descending from the sacred peak
Of hoar high-templed Faith, have leagued again
Their
Prophecy
For I dipt into the future, far as human eye could see,
Saw the Vision of the world, and all the wonder that would be;
Saw the heaven fill with commerce, argosies of magic sails,
Pilots of the purple twilight, dropping down with costly bales;
Heard the heavens fill with shouting, and the rained a ghastly dew
From the nation’s airy navies grappling in the central blue;
Far along the world-wide whisper of the south-wind
Recollection Of The Arabian Nights
When the breeze of a joyful dawn blew free
In the silken sail of infancy,
The tide of time flow’d back with me,
The forward-flowing tide of time;
And many a sheeny summer-morn,
Adown the Tigris I was borne,
By Bagdat’s shrines of fretted gold,
High-walled gardens green and old;
True Mussulman was I and sworn,
For it was in the golden prime
Of good Haroun Alraschid.
Anight my shallop, rustling thro’
The low and bloomed foliage, drove
The fragrant, glistening deeps,
Requiescat
Fair is her cottage in its place,
Where yon broad water sweetly, slowly glides.
It sees itself from thatch to base
Dream in the sliding tides.
–
And fairer she, but ah, how soon to die!
Her quiet dream of life this hour may cease.
Her peaceful being slowly passes by
– To some more perfect peace.
-Requiescat by Alfred, Lord Tennyson
Riflemen Form!
There is a sound of thunder afar,
Storm in the South that darkens the day!
Storm of battle and thunder of war!
Well if it do not roll our way.
Storm, Storm, Riflemen form!
Ready, be ready against the storm!
Riflemen, Riflemen, Riflemen form!
Be not deaf to the sound that warns,
Be not gull’d by a despot’s plea!
Are figs of thistles? or grapes of thorns?
How can a despot feel with the Free?
Form, Form, Riflemen Form!
Ready, be
Ring Out, Wild Bells
Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light;
The year is dying in the night;
Ring out, wild bells, and let him die.
Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
Ring out the grief that saps the mind,
For those that here we see no more,
Ring out the feud of
Rizpah
I.
Wailing, wailing, wailing, the wind over land and sea–
And Willy’s voice in the wind, ‘O mother, come out to me.’
Why should he call me to-night, when he knows that I cannot go?
For the downs are as bright as day, and the full moon stares at the snow.
II.
We should be seen, my dear; they would spy us out of the town.
The loud black nights for us, and the storm rushing
Romney’s Remorse
‘BEAT, little heart—I give you this and this’
Who are you? What! the Lady Hamilton?
Good, I am never weary painting you.
To sit once more? Cassandra, Hebe, Joan,
Or spinning at your wheel beside the vine—
Bacchante, what you will; and if I fail
To conjure and concentrate into form
And colour all you are, the fault is less
In me than Art. What Artist ever yet
Could make pure light live on the canvas? Art!
Why should
Rosalind
I.
My Rosalind, my Rosalind,
My frolic falcon, with bright eyes,
Whose free delight, from any height of rapid flight,
Stoops at all game that wing the skies,
My Rosalind, my Rosalind,
My bright-eyed, wild-eyed falcon, whither,
Careless both of wind and weather,
Whither fly ye, what game spy ye,
Up or down the streaming wind?
II.
The quick lark’s closest-caroll’d strains,
The shadow rushing up the sea,
The lightning flash atween the rains,
The sunlight driving down the lea,
The leaping stream, the
Sea Dreams
A city clerk, but gently born and bred;
His wife, an unknown artist’s orphan child—
One babe was theirs, a Margaret, three years old:
They, thinking that her clear germander eye
Droopt in the giant-factoried city-gloom,
Came, with a month’s leave given them, to the sea:
For which his gains were dock’d, however small:
Small were his gains, and hard his work; besides,
Their slender household fortunes (for the man
Had risk’d his little) like the little thrift,
Trembled