Alfred, Lord Tennyson
The Holy Grail
From noiseful arms, and acts of prowess done
In tournament or tilt, Sir Percivale,
Whom Arthur and his knighthood called The Pure,
Had passed into the silent life of prayer,
Praise, fast, and alms; and leaving for the cowl
The helmet in an abbey far away
From Camelot, there, and not long after, died.
And one, a fellow-monk among the rest,
Ambrosius, loved him much beyond the rest,
And honoured him, and wrought into his heart
A way by
The How And The Why
I am any man’s suitor,
If any will be my tutor:
Some say this life is pleasant,
Some think it speedeth fast,
In time there is no present,
In eternity no future,
In eternity no past.
We laugh, we cry, we are born, we die,
Who will riddle me the how and the why?
The bulrush nods unto its brother,
The wheatears whisper to each other:
What is it they say? what do they there?
Why two and two make four?
The Islet
‘Whither, O whither, love, shall we go,
For a score of sweet little summers or so?’
The sweet little wife of the singer said,
On the day that follow’d the day she was wed,
‘Whither, O whither, love, shall we go?’
And the singer shaking his curly head
Turn’d as he sat, and struck the keys
There at his right with a sudden crash,
Singing, ‘And shall it be over the seas
With a crew that is neither
The Kraken
Below the thunders of the upper deep,
Far far beneath in the abysmal sea,
His ancient, dreamless, uninvaded sleep
The Kraken sleepeth: faintest sunlights flee
About his shadowy sides: above him swell
Huge sponges of millennial growth and height;
And far away into the sickly light,
From many a wondrous grot and secret cell
Unnumbered and enormous polypi
Winnow with giant fins the slumbering green.
There hath he lain for ages and will lie
Battering upon huge seaworms in his
The Lady of Shalott
The Lady of Shalott – 1832 version
I
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro’ the field the road runs by
To many-tower’d Camelot;
The yellow-leaved waterlily
The green-sheathed daffodilly
Tremble in the water chilly
Round about Shalott.
Willows whiten, aspens shiver.
The sunbeam showers break and quiver
In the stream that runneth ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four
The Larger Hope
Oh yet we trust that somehow good
Will be the final goal of ill,
To pangs of nature, sins of will,
Defects of doubt, and taints of blood;
That nothing walks with aimless feet;
That not one life will be destroy’d,
Or cast as rubbish to the void,
When God hath made the pile complete;
That not a worm is cloven in vain;
That not a moth with vain desire
Is shrivell’d in a fruitless fire,
Or but subserves another
The Last Tournament
Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur’s Table Round,
At Camelot, high above the yellowing woods,
Danced like a withered leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, `Why skip ye so, Sir Fool?’
For Arthur and Sir Lancelot riding once
Far
The Letters
Still on the tower stood the vane,
A black yew gloomed the stagnant air,
I peered athwart the chancel pane
And saw the altar cold and bare.
A clog of lead was round my feet,
A band of pain across my brow;
“Cold altar, Heaven and earth shall meet
Before you hear my marriage vow.”
.II.
I turned and hummed a bitter song
That mocked the wholesome human heart,
And then we met in wrath and wrong,
We met, but only
The Lord Of Burleigh
In her ear he whispers gaily,
‘If my heart by signs can tell,
Maiden, I have watch’d thee daily,
And I think thou lov’st me well.’
She replies, in accents fainter,
‘There is none I love like thee.’
He is but a landscape-painter,
And a village maiden she.
He to lips, that fondly falter,
Presses his without reproof:
Leads her to the village altar,
And they leave her father’s roo£
‘I can make no marriage present:
Little can I give my wife.
Love
The Lotos-Eaters
‘Courage!’ he said, and pointed toward the land,
‘This mounting wave will roll us shoreward soon.’
In the afternoon they came unto a land
In which it seemed always afternoon.
All round the coast the languid air did swoon,
Breathing like one that hath a weary dream.
Full-faced above the valley stood the moon;
And like a downward smoke, the slender stream
Along the cliff to fall and pause and fall did seem.
A land of streams! some,
The Lover’s Tale
I.
Here far away, seen from the topmost cliff,
Filling with purple gloom the vacancies
Between the tufted hills, the sloping seas
Hung in mid-heaven, and half-way down rare sails,
White as white clouds, floated from sky to sky.
Oh! pleasant breast of waters, quiet bay,
Like to a quiet mind in the loud world,
Where the chafed breakers of the outer sea
Sank powerless, as anger falls aside
And withers on the breast of peaceful love;
Thou didst receive
The Making Of Man
Where is one that, born of woman, altogether can escape
From the lower world within him, moods of tiger, or of ape?
Man as yet is being made, and ere the crowning Age of ages,
Shall not æon after æon pass and touch him into shape?
–
All about him shadow still, but, while the races flower and fade,
Prophet-eyes may catch a glory slowly gaining on the shade,
Till the peoples all are one, and
The Marriage Of Geraint
The brave Geraint, a knight of Arthur’s court,
A tributary prince of Devon, one
Of that great Order of the Table Round,
Had married Enid, Yniol’s only child,
And loved her, as he loved the light of Heaven.
And as the light of Heaven varies, now
At sunrise, now at sunset, now by night
With moon and trembling stars, so loved Geraint
To make her beauty vary day by day,
In crimsons and in purples and in gems.
And
The May Queen
You must wake and call me early, call me early, mother dear;
To-morrow ’ill be the happiest time of all the glad New-year;
Of all the glad New-year, mother, the maddest merriest day,
For I’m to be Queen o’ the May, mother, I’m to be Queen o’ the May.
There’s many a black, black eye, they say, but none so bright as mine;
There’s Margaret and Mary, there’s Kate and Caroline;
But none so fair
The Mermaid
I.
Who would be
A mermaid fair,
Singing alone,
Combing her hair
Under the sea,
In a golden curl
With a comb of pearl,
On a throne?
II.
I would be a mermaid fair;
I would sing to myself the whole of the day;
With a comb of pearl I would comb my hair;
And still as I comb’d I would sing and say,
“Who is it loves me? who loves not me?”
I would comb my hair till my ringlets would fall,
Low adown,
The Merman
I.
Who would be
A merman bold,
Sitting alone,
Singing alone
Under the sea,
With a crown of gold,
On a throne?
II.
I would be a merman bold,
I would sit and sing the whole of the day;
I would fill the sea-halls with a voice of power;
But at night I would roam abroad and play
With the mermaids in and out of the rocks,
Dressing their hair with the white sea-flower;
And holding them back by their flowing locks
I would kiss
The Miller’s Daughter
It is the miller’s daughter,
And she is grown so dear, so dear,
That I would be the jewel
That trembles in her ear:
For hid in ringlets day and night,
I’d touch her neck so warm and white.
And I would be the girdle
About her dainty dainty waist,
And her heart would beat against me,
In sorrow and in rest:
And I should know if it beat right,
I’d clasp it round so close and tight.
And I would
The Northern Cobbler
I.
WAÄIT till our Sally cooms in, fur thou mun a’ sights to tell.
Eh, but I be maäin glad to seeä tha sa ’arty an’ well.
‘Cast awaäy on a disolut land wi’ a vartical soon!’
Strange fur to goä fur to think what saäilors a’ seeän an’ a’ doon;
‘Summat to drink—sa’ ’ot?’ I ’a nowt but Adam’s wine:
What’s the ’eät o’ this little ’ill-side to the ’eät o’ the line?
II.
‘What’s i’
The Oak
Live thy Life,
Young and old,
Like yon oak,
Bright in spring,
Living gold;
–
Summer-rich
Then; and then
Autumn-changed
Soberer-hued
Gold again.
–
All his leaves
Fall’n at length,
Look, he stands,
Trunk and bough
Naked strength.
-The Oak by Alfred, Lord Tennyson
The Owl
When cats run home and light is come,
And dew is cold upon the ground,
And the far-off stream is dumb,
And the whirring sail goes round,
And the whirring sail goes round;
Alone and warming his five wits,
The white owl in the belfry sits.
–
When merry milkmaids click the latch,
And rarely smells the new-mown hay,
And the cock hath sung beneath the thatch
Twice or thrice his roundelay,
Twice or thrice his roundelay;
Alone and warming his five
The Palace Of Art
I built my soul a lordly pleasure-house,
Wherein at ease for aye to dwell.
I said, ‘O Soul, make merry and carouse,
Dear soul, for all is well.’
A huge crag-platform, smooth as burnish’d brass
I chose. The ranged ramparts bright
From level meadow-bases of deep grass
Suddenly scaled the light.
Thereon I built it firm. Of ledge or shelf
The rock rose clear, or winding stair.
My soul would live alone unto herself
In her high palace there.
And ‘while
The Passing Of Arthur
That story which the bold Sir Bedivere,
First made and latest left of all the knights,
Told, when the man was no more than a voice
In the white winter of his age, to those
With whom he dwelt, new faces, other minds.
For on their march to westward, Bedivere,
Who slowly paced among the slumbering host,
Heard in his tent the moanings of the King:
‘I found Him in the shining of the stars,
I marked Him
The Pictures
This morning is the morning of the day,
When I and Eustace from the city went
To see the Gardener’s Daughter; I and he,
Brothers in Art; a friendship so complete
Portion’d in halves between us, that we grew
The fable of the city where we dwelt.
My Eustace might have sat for Hercules;
So muscular he spread, so broad of breast.
He, by some law that holds in love, and draws
The greater to the lesser, long
The Play
Act first, this Earth, a stage so gloom’d with woe
You all but sicken at the shifting scenes.
And yet be patient. Our Playwright may show
In some fifth Act what this wild Drama means.
-The Play by Alfred, Lord Tennyson
The Poet
The poet in a golden clime was born,
With golden stars above;
Dower’d with the hate of hate, the scorn of scorn,
The love of love.
He saw thro’ life and death, thro’ good and ill,
He saw thro’ his own soul.
The marvel of the everlasting will,
An open scroll,
Before him lay; with echoing feet he threaded
The secretest walks of fame:
The viewless arrows of his thoughts were headed
And wing’d with flame,
Like Indian reeds blown from
