Elizabeth Barrett Browning
Sonnets from the Portuguese – Say over again, and yet once over again
Say over again, and yet once over again,
That thou dost love me. Though the word repeated
Should seem ‘a cuckoo song,’ as thou dost treat it,
Remember, never to the hill or plain,
Valley and wood, without her cuckoo-strain
Comes the fresh Spring in all her green completed.
Belovèd, I, amid the darkness greeted
By a doubtful spirit-voice, in that doubt’s pain,
Cry, ‘Speak once more-thou lovest!’ Who can fear
Too many stars, though each in heaven
Sonnets from the Portuguese – The face of all the world is changed, I think
The face of all the world is changed, I think,
Since first I heard the footsteps of thy soul
Move still, oh, still, beside me, as they stole
Betwixt me and the dreadful outer brink
Of obvious death, where I, who thought to sink,
Was caught up into love, and taught the whole
Of life in a new rhythm. The cup of dole
God gave for baptism, I am fain to drink,
And praise its sweetness, Sweet,
Sonnets from the Portuguese – The first time that the sun rose on thine oath
The first time that the sun rose on thine oath
To love me, I looked forward to the moon
To slacken all those bonds which seemed too soon
And quickly tied to make a lasting troth.
Quick-loving hearts, I thought, may quickly loathe;
And, looking on myself, I seemed not one
For such man’s love!-more like an out-of-tune
Worn viol, a good singer would be wroth
To spoil his song with, and which, snatched in haste,
Is laid
Sonnets from the Portuguese – The soul’s Rialto hath its merchandise
The soul’s Rialto hath its merchandise;
I barter curl for curl upon that mart,
And from my poet’s forehead to my heart
Receive this lock which outweighs argosies,
As purply black, as erst to Pindar’s eyes
The dim purpureal tresses gloomed athwart
The nine white Muse-brows. For this counterpart-
The bay-crown’s shade, Belovèd, I surmise,
Still lingers on thy curl, it is so black!
Thus, with a fillet of smooth-kissing breath,
I tie the shadows safe from gliding back,
And
Sonnets from the Portuguese – Thou comest! all is said without a word
Thou comest! all is said without a word.
I sit beneath thy looks, as children do
In the noon-sun, with souls that tremble through
Their happy eyelids from an unaverred
Yet prodigal inward joy. Behold, I erred
In that last doubt! and yet I cannot rue
The sin most, but the occasion ..that we two
Should for a moment stand unministered
By a mutual presence. Ah, keep near and close,
Thou dovelike help! and, when my fears would
Sonnets from the Portuguese – Thou hast thy calling to some palace-floor
Thou hast thy calling to some palace-floor,
Most gracious singer of high poems! where
The dancers will break footing, from the care
Of watching up thy pregnant lips for more.
And dost thou lift this house’s latch too poor
For hand of thine? and canst thou think and bear
To let thy music drop here unaware
In folds of golden fulness at my door?
Look up and see the casement broken in,
The bats and owlets builders in
Sonnets from the Portuguese – Unlike are we, unlike, O princely Heart!
Unlike are we, unlike, O princely Heart!
Unlike our uses and our destinies.
Our ministering two angels look surprise
On one another, as they strike athwart
Their wings in passing. Thou, bethink thee, art
A guest for queens to social pageantries,
With gages from a hundred brighter eyes
Than tears even can make mine, to play thy part
Of chief musician. What hast thou to do
With looking from the lattice-lights at me,
A poor, tired, wandering singer, singing
Sonnets from the Portuguese – What can I give thee back, O liberal
What can I give thee back, O liberal
And princely giver, who hast brought the gold
And purple of thine heart, unstained, untold,
And laid them on the outside of the wall
For such as I to take or leave withal,
In unexpected largesse? am I cold,
Ungrateful, that for these most mainfold
High gifts, I render nothing back at all?
Not so; not cold, but very poor instead.
Ask God who knows. For frequent tears have run
The
Sonnets from the Portuguese – When our two souls stand up erect and strong
When our two souls stand up erect and strong,
Face to face, silent, drawing nigh and nigher,
Until the lengthening wings break into fire
At either curvèd point,-what bitter wrong
Can the earth do to us, that we should not long
Be here contented? Think! In mounting higher,
The angels would press on us and aspire
To drop some golden orb of perfect song
Into our deep, dear silence. Let us stay
Rather on earth, Belovèd,-where the unfit
Contrarious
Sonnets from the Portuguese – When we met first and loved, I did not build
When we met first and loved, I did not build
Upon the event with marble. Could it mean
To last, a love set pendulous between
Sorrow and sorrow? Nay, I rather thrilled,
Distrusting every light that seemed to gild
The onward path, and feared to overlean
A finger even. And, though I have grown serene
And strong since then, I think that God has willed
A still renewable fear…O love, O troth…
Lest these enclaspèd hands should never
Sonnets from the Portuguese – With the same heart, I said, I’ll answer thee
With the same heart, I said, I’ll answer thee
As those, when thou shalt call me by my name
Lo, the vain promise! is the same, the same,
Perplexed and ruffled by life’s strategy?
When called before, I told how hastily
I dropped my flowers or brake off from a a game,
To run and answer with the smile that came
At play last moment, and went on with me
Through my obedience. When I answer now,
I
Sonnets from the Portuguese – Yes, call me by my pet-name! let me hear
Yes, call me by my pet-name! let me hear
The name I used to run at, when a child,
From innocent play, and leave the cowslips piled,
To glance up in some face that proved me dear
With the look of its eyes. I miss the clear
Fond voices which, being drawn and reconciled
Into the music of Heaven’s undefiled,
Call me no longer. Silence on the bier,
While I call God-call God!-So let thy mouth
Be heir
Sonnets from the Portuguese – Yet, love, mere love, is beautiful indeed
Yet, love, mere love, is beautiful indeed
And worthy of acceptation. Fire is bright,
Let temple burn, or flax; and equal light
Leaps in the flame from cedar-plank or weed:
And love is fire. And when I say at need
I love thee -mark! I love thee -in thy sight
I stand transfigured, glorified aright,
With conscience of the new rays that proceed
Out of my face toward thine. There’s nothing low
In love, when love the lowest:
Substitution
WHEN some beloved voice that was to you
Both sound and sweetness, faileth suddenly,
And silence, against which you dare not cry,
Aches round you like a strong disease and new-
What hope ? what help ? what music will undo
That silence to your sense ? Not friendship’s sigh,
Not reason’s subtle count; not melody
Of viols, nor of pipes that Faunus blew;
Not songs of poets, nor of nightingales
Whose hearts leap upward through the cypress-trees
To
Tears
THANK God, bless God, all ye who suffer not
More grief than ye can weep for. That is well-
That is light grieving ! lighter, none befell
Since Adam forfeited the primal lot.
Tears! what are tears ? The babe weeps in its cot,
The mother singing, at her marriage-bell
The bride weeps, and before the oracle
Of high-faned hills the poet has forgot
Such moisture on his cheeks. Thank God for grace,
Ye who weep only !
The Autumn
Go, sit upon the lofty hill,
And turn your eyes around,
Where waving woods and waters wild
Do hymn an autumn sound.
The summer sun is faint on them –
The summer flowers depart
Sit still — as all transform’d to stone,
Except your musing heart.
How there you sat in summer-time,
May yet be in your mind;
And how you heard the green woods sing
Beneath the freshening wind.
Though the same wind now blows around,
You
The Best Thing in the World
What’s the best thing in the world?
June-rose, by May-dew impearled;
Sweet south-wind, that means no rain;
Truth, not cruel to a friend;
Pleasure, not in haste to end;
Beauty, not self-decked and curled
Till its pride is over-plain;
Love, when, so, you’re loved again.
What’s the best thing in the world?
— Something out of it, I think.
-Elizabeth Barrett Browning
The Cry of the Children
1844
Do ye hear the children weeping, O my brothers,
Ere the sorrow comes with years?
They are leaning their young heads against their mothers,–
And that cannot stop their tears.
The young lambs are bleating in the meadows;
The young birds are chirping in the nest;
The young fawns are playing with the shadows;
The young flowers are blowing toward the west–
But the young, young children, O my brothers,
They are weeping bitterly!
They are weeping in
The Deserted Garden
I mind me in the days departed,
How often underneath the sun
With childish bounds I used to run
To a garden long deserted.
The beds and walks were vanished quite;
And wheresoe’er had struck the spade,
The greenest grasses Nature laid
To sanctify her right.
I called the place my wilderness,
For no one entered there but I;
The sheep looked in, the grass to espy,
And passed it ne’ertheless.
The trees were interwoven wild,
And spread their boughs enough about
To
The House Of Clouds
I would build a cloudy House
For my thoughts to live in;
When for earth too fancy-loose
And too low for Heaven!
Hush! I talk my dream aloud-
I build it bright to see,-
I build it on the moonlit cloud,
To which I looked with thee.
Cloud-walls of the morning’s grey,
Faced with amber column,-
Crowned with crimson cupola
From a sunset solemn!
May mists, for the casements, fetch,
Pale and glimmering;
With a
The Lady’s Yes
1844
“Yes!” I answered you last night;
“No!” this morning, Sir, I say!
Colours, seen by candle-light,
Will not look the same by day.
When the tabors played their best,
Lamps above, and laughs below-
Love me sounded like a jest,
Fit for Yes or fit for No!
Call me false, or call me free-
Vow, whatever light may shine,
No man on your face shall see
Any grief for change on mine.
Yet the sin is on us both–
Time to dance
The Landing Of The Pilgrim Fathers
The breaking waves dashed high
On a stern and rock-bound coast,
And the woods, against a stormy sky,
Their giant branches tost;
And the heavy night hung dark
The hills and water o’er,
When a band of exiles moored their bark
On the wild New England shore.
Not as the conqueror comes,
They, the true-hearted, came;
Not with the roll of the stirring drums,
And the trumpet that sings of fame;
Not as the flying come,
In silence and in fear,-
They shook
The Look
The Saviour looked on Peter. Ay, no word,
No gesture of reproach; the Heavens serene
Though heavy with armed justice, did not lean
Their thunders that way: the forsaken Lord
Looked only, on the traitor. None record
What that look was, none guess; for those who have seen
Wronged lovers loving through a death-pang keen,
Or pale-cheeked martyrs smiling to a sword,
Have missed Jehovah at the judgment-call.
And Peter, from the height of blasphemy–
‘I never knew this
The Meaning Of The Look
I think that look of Christ might seem to say–
‘Thou Peter ! art thou then a common stone
Which I at last must break my heart upon
For all God’s charge to his high angels may
Guard my foot better ? Did I yesterday
Wash thy feet, my beloved, that they should run
Quick to deny me ‘neath the morning sun?
And do thy kisses, like the rest, betray?
The cock crows coldly.–GO, and manifest
A late
The Poet And The Bird
Said a people to a poet-” Go out from among us straightway!
While we are thinking earthly things, thou singest of divine.
There’s a little fair brown nightingale, who, sitting in the gateways
Makes fitter music to our ears than any song of thine!”
The poet went out weeping-the nightingale ceased chanting;
“Now, wherefore, O thou nightingale, is all thy sweetness done?”
I cannot sing my earthly things, the heavenly poet wanting,
Whose highest harmony includes