Emily Dickinson
The Road was lit with Moon and star —
The Road was lit with Moon and star —
The Trees were bright and still —
Descried I — by the distant Light
A Traveller on a Hill —
To magic Perpendiculars
Ascending, though Terrene —
Unknown his shimmering ultimate —
But he indorsed the sheen —
-Emily Dickinson
The Robin for the Crumb
The Robin for the Crumb
Returns no syllable
But long records the Lady’s name
In Silver Chronicle.
-Emily Dickinson
The Robin is a Gabriel
The Robin is a Gabriel
In humble circumstances —
His Dress denotes him socially,
Of Transport’s Working Classes —
He has the punctuality
Of the New England Farmer —
The same oblique integrity,
A Vista vastly warmer —
A small but sturdy Residence
A self denying Household,
The Guests of Perspicacity
Are all that cross his Threshold —
As covert as a Fugitive,
Cajoling Consternation
By Ditties to the Enemy
And Sylvan Punctuation —
The Robin is the One
The Robin is the One
That interrupt the Morn
With hurried — few — express Reports
When March is scarcely on —
The Robin is the One
That overflow the Noon
With her cherubic quantity —
An April but begun —
The Robin is the One
That speechless from her Nest
Submit that Home — and Certainty
And Sanctity, are best
-Emily Dickinson
The Robin’s my Criterion for Tune
The Robin’s my Criterion for Tune —
Because I grow — where Robins do —
But, were I Cuckoo born —
I’d swear by him —
The ode familiar — rules the Noon —
The Buttercup’s, my Whim for Bloom —
Because, we’re Orchard sprung —
But, were I Britain born,
I’d Daisies spurn —
None but the Nut — October fit —
Because, through dropping it,
The Seasons flit — I’m taught —
Without the Snow’s Tableau
Winter, were lie —
The Rose did caper on her cheek
The Rose did caper on her cheek —
Her Bodice rose and fell —
Her pretty speech — like drunken men —
Did stagger pitiful —
Her fingers fumbled at her work —
Her needle would not go —
What ailed so smart a little Maid —
It puzzled me to know —
Till opposite — I spied a cheek
That bore another Rose —
Just opposite — Another speech
That like the Drunkard goes —
A Vest that like her
The saddest noise, the sweetest noise
The saddest noise, the sweetest noise,
The maddest noise that grows, —
The birds, they make it in the spring,
At night’s delicious close.
Between the March and April line —
That magical frontier
Beyond which summer hesitates,
Almost too heavenly near.
It makes us think of all the dead
That sauntered with us here,
By separation’s sorcery
Made cruelly more dear.
It makes us think of what we had,
And what we now deplore.
We almost wish those siren throats
Would go and
The Savior must have been
The Savior must have been
A docile Gentleman —
To come so far so cold a Day
For little Fellowmen —
The Road to Bethlehem
Since He and I were Boys
Was leveled, but for that ‘twould be
A rugged billion Miles —
-Emily Dickinson
The Sea said “Come” to the Brook —
The Sea said “Come” to the Brook —
The Brook said “Let me grow” —
The Sea said “Then you will be a Sea —
I want a Brook — Come now”!
The Sea said “Go” to the Sea —
The Sea said “I am he
You cherished” — “Learned Waters —
Wisdom is stale — to Me”
-Emily Dickinson
The Service without Hope —
The Service without Hope —
Is tenderest, I think —
Because ’tis unsustained
By stint — Rewarded Work —
Has impetus of Gain —
And impetus of Goal —
There is no Diligence like that
That knows not an Until —
-Emily Dickinson
The Show is not the Show
The Show is not the Show
But they that go —
Menagerie to me
My Neighbor be —
Fair Play —
Both went to see —
-Emily Dickinson
The Skies can’t keep their secret!
The Skies can’t keep their secret!
They tell it to the Hills —
The Hills just tell the Orchards —
And they — the Daffodils!
A Bird — by chance — that goes that way —
Soft overhears the whole —
If I should bribe the little Bird —
Who knows but she would tell?
I think I won’t — however —
It’s finer — not to know —
If Summer were an Axiom —
What sorcery had Snow?
So keep
The Sky is low — the Clouds are mean
The Sky is low — the Clouds are mean.
A Travelling Flake of Snow
Across a Barn or through a Rut
Debates if it will go —
A Narrow Wind complains all Day
How some one treated him
Nature, like Us is sometimes caught
Without her Diadem.
– Emily Dickinson
The smouldering embers blush —
The smouldering embers blush —
Oh Hearts within the Coal
Hast thou survived so many years?
The smouldering embers smile —
Soft stirs the news of Light
The stolid seconds glow
One requisite has Fire that lasts
Prometheus never knew —
-Emily Dickinson
The Snow that never drifts —
The Snow that never drifts —
The transient, fragrant snow
That comes a single time a Year
Is softly driving now —
So thorough in the Tree
At night beneath the star
That it was February’s Foot
Experience would swear —
Like Winter as a Face
We stern and former knew
Repaired of all but Loneliness
By Nature’s Alibit —
Were every storm so spice
The Value could not be —
We buy with contrast — Pang is good
As near as memory —
The Soul has Bandaged moments —
The Soul has Bandaged moments —
When too appalled to stir —
She feels some ghastly Fright come up
And stop to look at her —
Salute her — with long fingers —
Caress her freezing hair —
Sip, Goblin, from the very lips
The Lover — hovered — o’er —
Unworthy, that a thought so mean
Accost a Theme — so — fair —
The soul has moments of Escape —
When bursting all the doors —
She dances like
The Soul’s Superior instants
The Soul’s Superior instants
Occur to Her — alone —
When friend — and Earth’s occasion
Have infinite withdrawn —
Or She — Herself — ascended
To too remote a Height
For lower Recognition
Than Her Omnipotent —
This Mortal Abolition
Is seldom — but as fair
As Apparition — subject
To Autocratic Air —
Eternity’s disclosure
To favorites — a few —
Of the Colossal substance
Of Immortality
The Soul’s distinct connection
The Soul’s distinct connection
With immortality
Is best disclosed by Danger
Or quick Calamity —
As Lightning on a Landscape
Exhibits Sheets of Place —
Not yet suspected — but for Flash —
And Click — and Suddenness.
-Emily Dickinson
The Soul selects her own Society
The Soul selects her own Society —
Then — shuts the Door —
To her divine Majority —
Present no more —
Unmoved — she notes the Chariots — pausing —
At her low Gate —
Unmoved — an Emperor be kneeling
Upon her Mat —
I’ve known her — from an ample nation —
Choose One —
Then — close the Valves of her attention —
Like Stone —
The Soul should always stand ajar
The Soul should always stand ajar
That if the Heaven inquire
He will not be obliged to wait
Or shy of troubling Her
Depart, before the Host have slid
The Bolt unto the Door —
To search for the accomplished Guest,
Her Visitor, no more —
-Emily Dickinson
The Soul that hath a Guest
The Soul that hath a Guest
Doth seldom go abroad —
Diviner Crowd at Home —
Obliterate the need —
And Courtesy forbid
A Host’s departure when
Upon Himself be visiting
The Emperor of Men —
-Emily Dickinson
The Soul unto itself
The Soul unto itself
Is an imperial friend —
Or the most agonizing Spy —
An Enemy — could send —
Secure against its own —
No treason it can fear —
Itself — its Sovereign — of itself
The Soul should stand in Awe —
-Emily Dickinson
The Spider as an Artist
The Spider as an Artist
Has never been employed —
Though his surpassing Merit
Is freely certified
By every Broom and Bridget
Throughout a Christian Land —
Neglected Son of Genius
I take thee by the Hand —
-Emily Dickinson
The Spider holds a Silver Ball
The Spider holds a Silver Ball
In unperceived Hands —
And dancing softly to Himself
His Yarn of Pearl — unwinds —
He plies from Nought to Nought —
In unsubstantial Trade —
Supplants our Tapestries with His —
In half the period —
An Hour to rear supreme
His Continents of Light —
Then dangle from the Housewife’s Broom —
His Boundaries — forgot —
The Spirit is the Conscious Ear
The Spirit is the Conscious Ear.
We actually Hear
When We inspect — that’s audible —
That is admitted — Here —
For other Services — as Sound —
There hangs a smaller Ear
Outside the Castle — that Contain —
The other — only — Hear —
-Emily Dickinson
