William Butler Yeats2017-10-25T00:42:16-07:00

William Butler Yeats

Solomon and the Witch

AND thus declared that Arab lady:
‘Last night, where under the wild moon
On grassy mattress I had laid me,
Within my arms great Solomon,
I suddenly cried out in a strange tongue
Not his, not mine.’

Who understood
Whatever has been said, sighed, sung,
Howled, miau-d, barked, brayed, belled, yelled, cried, crowed,
Thereon replied:  ‘A cockerel
Crew from a blossoming apple bough
Three hundred years before the Fall,
And never crew again till now,
And would not now but that he

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Solomon to Sheba

SANG Solomon to Sheba,
And kissed her dusky face,
‘All day long from mid-day
We have talked in the one place,
All day long from shadowless noon
We have gone round and round
In the narrow theme of love
Like a old horse in a pound.’

To Solomon sang Sheba,
Plated on his knees,
‘If you had broached a matter
That might the learned please,
You had before the sun had thrown
Our shadows on the ground
Discovered that my thoughts, not it,
Are

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Stream and Sun at Glendalough

THROUGH intricate motions ran
Stream and gliding sun
And all my heart seemed gay:
Some stupid thing that I had done
Made my attention stray.

Repentance keeps my heart impure;
But what am I that dare
Fancy that I can
Better conduct myself or have more
Sense than a common man?

What motion of the sun or stream
Or eyelid shot the gleam
That pierced my body through?
What made me live like these that seem
Self-born, born anew?
-William Butler Yeats

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Supernatural Songs

-I-  Ribb at the Tomb of Baile and Aillinn

BECAUSE you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the

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Sweet Dancer

THE girl goes dancing there
On the leaf-sown, new-mown, smooth
Grass plot of the garden;
Escaped from bitter youth,
Escaped out of her crowd,
Or out of her black cloud.
Ah, dancer, ah, sweet dancer!

If strange men come from the house
To lead her away, do not say
That she is happy being crazy;
Lead them gently astray;
Let her finish her dance,
Let her finish her dance.
Ah, dancer, ah, sweet dancer!
-William Butler Yeats

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Symbols

A STORM BEATEN old watch-tower,
A blind hermit rings the hour.
All-destroying sword-blade still
Carried by the wandering fool.
Gold-sewn silk on the sword-blade,
Beauty and fool together laid.
-William Butler Yeats

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That the Night Come

SHE lived in storm and strife,
Her soul had such desire
For what proud death may bring
That it could not endure
The common good of life,
But lived as ’twere a king
That packed his marriage day
With banneret and pennon,
Trumpet and kettledrum,
And the outrageous cannon,
To bundle time away
That the night come.
-William Butler Yeats

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The Apparitions

BECAUSE there is safety in derision
I talked about an apparition,
I took no trouble to convince,
Or seem plausible to a man of sense.
Distrustful of that popular eye
Whether it be bold or sly.
Fifteen apparitions have I seen;
The worst a coat upon a coat-hanger.

I have found nothing half so good
As my long-planned half solitude,
Where I can sit up half the night
With some friend that has the wit
Not to allow his looks to

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The Arrow

I THOUGHT of your beauty, and this arrow,
Made out of a wild thought, is in my marrow.
There’s no man may look upon her, no man,
As when newly grown to be a woman,
Tall and noble but with face and bosom
Delicate in colour as apple blossom.
This beauty’s kinder, yet for a reason
I could weep that the old is out of season.
-William Butler Yeats

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The Ballad of Father Gilligan

THE old priest Peter Gilligan
Was weary night and day;
For half his flock were in their beds,
Or under green sods lay.

Once, while he nodded on a chair,
At the moth-hour of eve,
Another poor man sent for him,
And he began to grieve.

‘I have no rest, nor joy, nor peace,
For people die and die’;
And after cried he, ‘God forgive!
My body spake, not I!’

He knelt, and leaning on the chair
He prayed and fell asleep;
And

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The Ballad of Father O’Hart

GOOD Father John O’Hart
In penal days rode out
To a Shoneen who had free lands
And his own snipe and trout.

In trust took he John’s lands;
Sleiveens were all his race;
And he gave them as dowers to his daughters.
And they married beyond their place.

But Father John went up,
And Father John went down;
And he wore small holes in his Shoes,
And he wore large holes in his gown.

All loved him, only the shoneen,
Whom the

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The Ballad of Moll Magee

COME round me, little childer;
There, don’t fling stones at me
Because I mutter as I go;
But pity Moll Magee.

My man was a poor fisher
With shore lines in the say;
My work was saltin’ herrings
The whole of the long day.

And sometimes from the Saltin’ shed
I scarce could drag my feet,
Under the blessed moonlight,
Along the pebbly street.

I’d always been but weakly,
And my baby was just born;
A neighbour minded her by day,
I minded her

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The Ballad of the Foxhunter

‘LAY me in a cushioned chair;
Carry me, ye four,
With cushions here and cushions there,
To see the world once more.

‘To stable and to kennel go;
Bring what is there to bring;
Lead my Lollard to and fro,
Or gently in a ring.

‘Put the chair upon the grass:
Bring Rody and his hounds,
That I may contented pass
From these earthly bounds.’

His eyelids droop, his head falls low,
His old eyes cloud with dreams;
The sun upon all things

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The Black Tower

SAY that the men of the old black tower,
Though they but feed as the goatherd feeds,
Their money spent, their wine gone sour,
Lack nothing that a soldier needs,
That all are oath-bound men:
Those banners come not in.

There in the tomb stand the dead upright,
But winds come up from the shore:
They shake when the winds roar,
Old bones upon the mountain shake.

Those banners come to bribe or threaten,
Or whisper that a man’s a

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The Blessed

CUMHAL called out, bending his head,
Till Dathi came and stood,
With a blink in his eyes, at the cave-mouth,
Between the wind and the wood.

And Cumhal said, bending his knees,
‘I have come by the windy way
To gather the half of your blessedness
And learn to pray when you pray.

‘I can bring you salmon out of the streams
And heron out of the skies.’
But Dathi folded his hands and smiled
With the secrets of God

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The Cap and Bells

THE jester walked in the garden:
The garden had fallen still;
He bade his soul rise upward
And stand on her window-sill.

It rose in a straight blue garment,
When owls began to call:
It had grown wise-tongued by thinking
Of a quiet and light footfall;

But the young queen would not listen;
She rose in her pale night-gown;
She drew in the heavy casement
And pushed the latches down.

He bade his heart go to her,
When the owls called out

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The Cat and the Moon

THE cat went here and there
And the moon spun round like a top,
And the nearest kin of the moon,
The creeping cat, looked up.

Black Minnaloushe stared at the moon,
For, wander and wail as he would,
The pure cold light in the sky
Troubled his animal blood.

Minnaloushe runs in the grass
Lifting his delicate feet.
Do you dance, Minnaloushe, do you dance?
When two close kindred meet.

What better than call a dance?
Maybe the moon may learn,
Tired

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The Choice

The intellect of man is forced to choose
perfection of the life, or of the work,
And if it take the second must refuse
A heavenly mansion, raging in the dark.
When all that story’s finished, what’s the news?
In luck or out the toil has left its mark:
That old perplexity an empty purse,
Or the day’s vanity, the night’s remorse.
-William Butler Yeats

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The Circus Animal’s Desertion

I
I SOUGHT a theme and sought for it in vain,
I sought it daily for six weeks or so.
Maybe at last, being but a broken man,
I must be satisfied with my heart, although
Winter and summer till old age began
My circus animals were all on show,
Those stilted boys, that burnished chariot,
Lion and woman and the Lord knows what.

II
What can I but enumerate old themes?
First that sea-rider Oisin led by the nose
Through

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The Cloak, the Boat, and the Shoes

‘WHAT do you make so fair and bright?’

‘I make the cloak of Sorrow:
O lovely to see in all men’s sight
Shall be the cloak of Sorrow,
In all men’s sight.’

‘What do you build with sails for flight?’

‘I build a boat for Sorrow:
O swift on the seas all day and night
Saileth the rover Sorrow,
All day and night.’

What do you weave with wool so white?’

‘I weave the shoes of Sorrow:
Soundless shall be the

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The Cold Heaven

SUDDENLY I saw the cold and rook-delighting heaven
That seemed as though ice burned and was but the more ice,
And thereupon imagination and heart were driven
So wild that every casual thought of that and this
Vanished, and left but memories, that should be out of season
With the hot blood of youth, of love crossed long ago;
And I took all the blame out of all sense and reason,
Until I cried and trembled

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The Collar-Bone of a Hare

WOULD I could cast a sad on the water
Where many a king has gone
And many a king’s daughter,
And alight at the comely trees and the lawn,
The playing upon pipes and the dancing,
And learn that the best thing is
To change my loves while dancing
And pay but a kiss for a kiss.

I would find by the edge of that water
The collar-bone of a hare
Worn thin by the lapping of water,
And pierce

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The Countess Cathleen in Paradise

ALL the heavy days are over;
Leave the body’s coloured pride
Underneath the grass and clover,
With the feet laid side by side.

Bathed in flaming founts of duty
She’ll not ask a haughty dress;
Carry all that mournful beauty
To the scented oaken press.

Did the kiss of Mother Mary
Put that music in her face?
Yet she goes with footstep wary,
Full of earth’s old timid grace.

‘Mong the feet of angels seven
What a dancer glimmering!
All the heavens bow

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